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J.S. Bach - Chamber Music - Suites for Cello Solo

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Showing 1–16 of 22 results

  • Præludium from Suite No. 5, BWV 1011 for Solo Recorder

    Recorder part, 3 pp.
    $0.50

  • BWV 1008 complete

    21 pp.
    $3.00

  • Allemande from Suite No. 4, BWV 1010

    Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.

    Recorder part, 1 pp.
    $0.50

  • Solos from Solo Strings & Lute music Categories

    72 pp.
    $1.00

  • Allemande from Suite No. 4, BWV 1010

    Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.

    Recorder & Keyboard part, 2+1 pp.
    $2.00

  • Gavotte I & II from Suite No. 5, BWV 1011, version based primarily on Bach’s arrangement for lute

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Complete Suite No. 4 BWV 1010

    21 pp.
    $2.00

  • Version based primarily on Bach’s arrangement for lute

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Allemande

    Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.

    Recorder part, 1 pp.
    $0.50

  • Gavotte I & II from Suite No. 6 BWV 1012

    Originally in D major, transposed here to G. With a bass line and harmonic realization based on the original but filled out in a manner befitting an accompanying keyboard instrument.

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • BWV 1008, Prelude and Gigue Rec. Pts.

    3 pp.
    $0.50

  • Complete Suite No. 3 BWV 1009 transposed to F major

    Recorder & Keyboard part, 15+8 pp.
    $2.00

  • Suite No. 3, BWV 1009, in original key

    21 pp.
    $2.00

  • BWV 1007, Bb major version

    20 pp.
    $2.00

  • Gigue

    In original key of C major. The keyboard parts have newly composed bass lines. Slurs are added, but due to the lack of clarity in the earliest and most important source, they should not be taken overly seriously. Note that we offer the full Suite transposed to F major. One idea would be to use these C major movements as encores, e. g. after performing the full Suite in F. Also note that the Gigue arrangement has been extensively revised as of 8.14.12, and 9.7.13 saw a slight adjustment to the Bourr?e one.

    Recorder part, 1 pp.
    $0.50

  • BWV 1007, C major version

    20 pp.
    $2.00
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