Contrapunctus 13, Inversus
from: J.S. Bach - Art of the Fugue
Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should coïncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.
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Recorder & Keyboard part, 5+2 pp.