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J.S. Bach - Art of the Fugue

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Showing 1–16 of 19 results

  • Contrapunctus 13 Inversus

    Recorder & Keyboard part, 5+2 pp.
    $0.50
  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • Contrapunctus 13 Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50
  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 7+2 pp.
    $0.50
  • Canon at the 10th

    Originally in d minor, transposed here to g.

    Recorder part, 7 pp.
    $0.50
  • Contrapunctus 13 Rectus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.

    Recorder part, 1 pp.
    $0.50
  • Canon at the Octave

    Originally in d minor, transposed here to g. Contains a fermata 4 bars before the end. A FREE item from this website is due anybody who can correctly identify the meaning of this fermata. By the way, the page turns for the kbd. player on this piece have been created better than one can believe (i. e. VERY easy for the player)!

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • Contrapunctus13Rectus

    5 + 1 pp.
    $0.50
  • Canon at the Octave

    Originally in d minor, transposed here to g. Contains a fermata 4 bars before the end. A FREE item from this website is due anybody who can correctly identify the meaning of this fermata. By the way, the page turns for the kbd. player on this piece have been created better than one can believe (i. e. VERY easy for the player)!

    Recorder part, 2 pp.
    $0.50
  • Contrapunctus 13, Rectus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.

    Recorder & Keyboard part, 5 pp.
    $2.00
  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • Contrapunctus 13, Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50
  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • Contrapunctus 13, Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder & Keyboard part, 5+2 pp.
    $2.00
  • Canon at the 12th

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 6+1 pp.
    $0.50
  • Contrapunctus 8

    Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).

    Recorder part, 2 pp.
    $0.50
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