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J.S. Bach - Art of the Fugue

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  • Contrapunctus 13, Rectus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.

    Recorder & Keyboard part, 5 pp.
    $2.00

  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Contrapunctus 13, Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50

  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50

  • Contrapunctus 13, Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder & Keyboard part, 5+2 pp.
    $2.00

  • Canon at the 12th

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 6+1 pp.
    $0.50

  • Contrapunctus 8

    Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).

    Recorder part, 2 pp.
    $0.50

  • All4CanonsFromArtOfFugue

    34 pp.
    $2.00

  • Contrapunctus 8

    Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).

    Recorder part, 2 pp.
    $1.00

  • Contrapunctus 2

    5 pp.
    $0.50

  • Contrapunctus 8

    Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).

    Recorder & Keyboard part, 9+2 pp.
    $0.50

  • ArtOfFugue6

    8 pp.
    $1.00

  • Contrapunctus 13 Inversus

    Recorder & Keyboard part, 5+2 pp.
    $0.50

  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50

  • Contrapunctus 13 Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50

  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 7+2 pp.
    $0.50
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