E. Satie (1866-1925)

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• Recorder parts for all 3 Gnossiennes

  Written in 1890 for piano solo. At original pitch here.

  1+1+1 pp.

  $0.75
• Gymnopédie No. 3

  There is no separate recorder part, since both players can usually read from the same score. (If this is unworkable, another score must be printed out.) Originally for piano solo. This arrangement at original pitch. The 1st and 3rd Gymnop?dies call for tenor recorder, the 2nd for alto. Since the guitar part of the 2nd is more difficult than the others, Nos. 1 and 3 may be performed alone, or rather perhaps in the order of the famous Debussy arrangement for orchestra, 3 followed by 1.

  2 pp.

  $0.50
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• Gnossienne 2

  Written in 1890 for piano solo. Transposed here up a 4th.

  Recorder & Keyboard part, 2+1 pp.

  $0.50
• En plus

  3 pp.

  $0.50
• For Tenor or Soprano Recorder

  1 pp.

  $0.50
• “Son Binocle,” from *Les trois valses distinguées du précieux dégoûté*, for bass recorder (or alto) at original pitch

  1+1 pp.

  $0.50
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• Gnossienne 2

  Written in 1890 for piano solo. Transposed here up a 4th.

  Recorder part, 1 pp.

  $0.50
• Airs à faire fuir

  13 pp.

  $1.50
• “Tyrolienne turque,” from *Croquis et Agaceries d’un Gros Bonhomme en Bois*, for alto doubling tenor (or soprano)

  4 pp.

  $0.50
• “Son Binocle,” from *Les trois valses distinguées du précieux dégoûté*, for bass recorder (or alto) in two different versions.

  Originally for solo piano. Title means “His pince-nez,” from Three distinguished waltzes of the fastidious affected one. Alternate version takes the music down a major 3rd.

  Recorder part, 1 pp.

  $0.50
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• Recorder parts for all 3 Gnossiennes

  Written in 1890 for piano solo. Transposed here up a 4th.

  3 pp.

  $0.75
• *Le fils des étoiles* 1st mvt.

  4 pp.

  $0.50
• 3MorceauxManièreInEm(OriginalPitch)

  5 pp.

  $0.50