Recorder part

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  • 1st Mvmt.

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • “Pastorale” from the “Christmas” Concerto, Op. 6, No. 8

    Recorder part, 1 pp.
    $0.50
  • test

    Recorder part, 5 pp.
    $1.00
  • 2nd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 1 pp.
    $0.50
  • Aria,

    Fifth number in this oratorio. Originally for soprano, flute/violin, bassoon and continuo, in b minor transposed here to d. Title means, “O my soul, your spices should no more be myrrh”.

    Recorder part, 2 pp.
    $0.50
  • Prelude No. 22

    Originally in Bb minor, transposed here to d.

    Recorder part, 1 pp.
    $0.50
  • Gnossienne 1

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50
  • 3rd Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 2 pp.
    $0.50
  • Prelude No. 10

    Originally in e minor, transposed here to a.

    Recorder part, 1 pp.
    $0.50
  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • Rondeaux from Partita No. 2, BWV 826

    Originally in c minor, transposed here to g. Contains an optional high F#.

    Recorder part, 1 pp.
    $0.50
  • Gigue

    Originally for keyboard in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • Contrapunctus 13 Rectus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.

    Recorder part, 1 pp.
    $0.50
  • Prelude No. 11

    Originally in F major, transposed here to C.

    Recorder part, 2 pp.
    $1.00
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