Recorder part

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  • Chorale Prelude, \"O Mensch, bewein\’ dein\’ Sünde gross,\" BWV 622

    Originally in Eb major, transposed here to Bb. Title means: “O people, weep over your great sin.”

    Recorder part, 1 pp.
    $0.50
  • Duet

    Third number in the cantata. Originally for soprano, bass, oboe, and basso continuo, transposed here from a minor to d. Check out the amazing deceptive cadences. Choice of versions depending on your preference for 1- or 2-page recorder parts. Title means, “God, You have it well disposed.”

    Recorder part, 1 pp.
    $0.50
  • Canon at the 10th

    Originally in d minor, transposed here to g.

    Recorder part, 7 pp.
    $0.50
  • Menuet I and II

    Originally in Bb major, transposed here to F

    Recorder part, 1 pp.
    $0.50
  • 3rd mvmt.

    Originally in C major, transposed here to F.

    Recorder part, 2 pp.
    $0.50
  • Test

    In original key of g minor. Thought to be based on a lost violin concerto. Note that the recorder parts for all three movements are available in the ?Pieces for solo recorder, keyboard part in preparation? section.

    Recorder part, 1 pp.
    $0.00
  • Aria

    Third number in the cantata. Originally for soprano and continuo, transposed from a minor to d. Title means, “Highest one, make thy goodness henceforth (new every morning).” Because of the limited range of the recorder part, this may be played on a Renaissance alto if desired. See the note on the Trio from Brandenburg Concerto No. 1. Note that we also offer arrangements of this aria for other sizes of recorder and one for recorder duet.

    Recorder part, 1 pp.
    $0.50
  • 2-part Invention No. 13

    Originally in a minor, transposed here to d.

    Recorder part, 1 pp.
    $0.50
  • Duet

    Fifth and final number in the cantata. Originally for soprano, bass, 2 oboes, strings, and basso continuo, transposed here from C major to F. Title means, “I have before me a hard journey.”

    Recorder part, 2 pp.
    $0.50
  • Double

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder part, 1 pp.
    $0.50
  • 1st Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50
  • Chorale Prelude “Wachet auf ruft uns die Stimme” BWV 645

    Originally in Eb major, transposed here to F. The source of BWV 645 was the chorale of the same name from Cantata 140, which was also consulted for this arrangement. See also a version for recorder duet. Title means, “Awake, the voice calls us.”

    Recorder part, 1 pp.
    $0.50
  • tetsing

    Recorder part, 66pp.
    $0.50
  • Fugue

    Originally in C# major, transposed here to F.

    Recorder part, 1 pp.
    $1.00
  • 2nd Mvmt.

    Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.

    Recorder part, 2 pp.
    $0.50
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