Recorder & Keyboard part

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Showing 49–64 of 294 results

  • Sinfonia from *Acis and Galatea*

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Aria, “Mein gläubiges Herze,” from Cantata 68

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Gigue

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • 2nd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • “Lied des Verfolgten im Turm,” from *Des Knaben Wunderhorn*

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Aria “Doch weichet ihr tollen” from Cantata 8

    Recorder & Keyboard part, 8+3 pp.
    $0.50

  • Sonata da Chiesa K. 144

    Originally for organ, two violins and bass in D major, transposed here to F. Revised Jan. 16, 2017.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • “Lebenstürme”

    Recorder & Keyboard part, 5 pp.
    $0.50

  • Bach Trio Sonata No. 1, BWV 525

    Originally in Eb major, transposed here to G.

    Recorder & Keyboard part, 11+4 pp.
    $1.00

  • 1st mvmt.

    Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.

    Recorder & Keyboard part, 12+3 pp.
    $1.00

  • 3rd mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder & Keyboard part, 9+2 pp.
    $0.50

  • BWV 1011, Gavottes I & II, version based entirely on the cello suite

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Aria, “Gott, bei deinem starken Schützen,” from Cantata 14

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Version based primarily on Bach’s arrangement for lute

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • “Rheinlegendchen” from *Des Knaben Wunderhorn* by Mahler, arr. for alto doubling C instrument

    Recorder & Keyboard part, 4+2 pp.
    $0.50

  • Concerto No. 1 for Flute & Orchestra K.313

    Originally for solo flute and orchestra in G major, transposed here to Bb.

    Recorder & Keyboard part, 35 pp.
    $4.00
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