Recorder & Keyboard part
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Recorder & Keyboard part, 34 -
1st Mvmt.
Originally in G major, transposed here to Bb.
Recorder & Keyboard part, 7+2 pp. -
2-part Invention No. 13, BWV 784
Recorder & Keyboard part, 2+1 pp. -
Sonata K. 55, L. 335, P. 117
Recorder & Keyboard part, 5+2 pp. -
Bach Chorale Prélude, BWV 655
Recorder & Keyboard part, 5+2 pp. -
Aria “Quoniam tu solus” from Missa Brevis BWV 233
Recorder & Keyboard part, 7+2 pp. -
Chorale “Sei Lob und Preis mit Ehren” from Cantata 51
Recorder & Keyboard part, 10+2 pp. -
Fugue on the Name BACH Op. 60 No. 2
Originally for Pedal Piano in Bb major, transposed here to F.
Recorder & Keyboard part, 9+2 pp. -
Peacherine Rag
Originally for piano solo in Eb major, transposed here to F.
Recorder & Keyboard part, 5 pp. -
testing piece
testing
Recorder & Keyboard part, 432pp -
Contrapunctus 13, Rectus
Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.
Recorder & Keyboard part, 5 pp. -
Fugue
Recorder & Keyboard part, 4+1 pp. -
Prelude and Fugue BWV 541
Recorder & Keyboard part, 11+3 pp. -
Aria, “Ich bin vergnügt in meinem Leiden,” from Cantata 58
Recorder & Keyboard part, 6+2 pp. -
1st mvmt.
Originally in C major, transposed here to F.
Recorder & Keyboard part, 7+2 pp. -
Gnossienne No. 3
Written in 1890 for piano solo. At original pitch here.
Recorder & Keyboard part, 2+1 pp.