Recorder & Keyboard part

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Showing 257–272 of 294 results

  • Both 2. Allemande and 3. Corrente

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • 3rd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder & Keyboard part, 10+2 pp.
    $1.00

  • Gavotte I & II from English Suite No. 3, BWV 808

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • Capriccio from Partita No. 2, BWV 826

    Recorder & Keyboard part, 4+2 pp.
    $0.50

  • Souvenirs de Munich

    Recorder & Keyboard part, 10+3 pp.
    $0.50

  • Mozart Quintet, K. 516 complete

    Recorder & Keyboard part, 43 pp.
    $2.00

  • testing

    Description

    Recorder & Keyboard part, 34
    $23.00

  • 2nd Mvmt.

    Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.

    Recorder & Keyboard part, 4+2 pp.
    $0.50

  • Sinfonia from *Acis and Galatea*

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Aria, “Mein gläubiges Herze,” from Cantata 68

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Gigue

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • 2nd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • “Lied des Verfolgten im Turm,” from *Des Knaben Wunderhorn*

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Aria “Doch weichet ihr tollen” from Cantata 8

    Recorder & Keyboard part, 8+3 pp.
    $0.50

  • Sonata da Chiesa K. 144

    Originally for organ, two violins and bass in D major, transposed here to F. Revised Jan. 16, 2017.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
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