Recorder & Keyboard part

from:

Showing 1–16 of 315 results

  • Bach Trio Sonata No. 1, BWV 525

    Originally in Eb major, transposed here to G.

    Recorder & Keyboard part, 11+4 pp.
    $1.00
  • Bach Keyboard Concerto No. 5, BWV 1056

    Recorder & Keyboard part, 17+9 pp.
    $2.00
  • Fugue

    Originally in e minor, transposed here to a.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • 1st Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 10+2 pp.
    $0.50
  • *Trois Morceaux en forme de poire*: II (Enleve-De moitie)

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • Aria, “Domine Deus” from Missa Brevis, BWV 234 for alto recorder doubling soprano or tenor

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • Sonata da Chiesa K. 278

    Recorder & Keyboard part, 5+2 pp.
    $0.50
  • Bach French Suite No. 5

    Recorder & Keyboard part, 17 pp.
    $3.00
  • Ferrabosco II at original pitch, for Ten./Sop. Recorder & keyboard

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • Allemande from Suite No. 4, BWV 1010

    Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.

    Recorder & Keyboard part, 2+1 pp.
    $2.00
  • 1. Fantasia

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 4+2 pp.
    $0.50
  • Sonata K. 55, L. 335, P. 117

    Recorder & Keyboard part, 5+2 pp.
    $0.50
  • Sarabande from Partita No. 1, BWV 825

    Originally in Bb major, transposed here to F.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Opening “Es ist euch gut dass ich hin gehe” from Cantata 108

    Recorder & Keyboard part, 5+2 pp.
    $0.50
  • Sonata K. 10, L. 370, P. 66

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • Four Scotch tunes from *Calliope* (1739) arr. for soprano recorder & keyboard

    Recorder & Keyboard part, 8+2 pp.
    $0.50
Add to Cart