Recorder & Keyboard part
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Bach Trio Sonata No. 1, BWV 525
Originally in Eb major, transposed here to G.
Recorder & Keyboard part, 11+4 pp. -
1st mvmt.
Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.
Recorder & Keyboard part, 12+3 pp. -
3rd mvmt.
Originally in c minor, transposed here to g. Revised Dec. 12, 2016.
Recorder & Keyboard part, 9+2 pp. -
Bach Chorale Prélude, BWV 655
Recorder & Keyboard part, 5+2 pp. -
Aria “Quoniam tu solus” from Missa Brevis BWV 233
Recorder & Keyboard part, 7+2 pp. -
Chorale “Sei Lob und Preis mit Ehren” from Cantata 51
Recorder & Keyboard part, 10+2 pp. -
Fugue on the Name BACH Op. 60 No. 2
Originally for Pedal Piano in Bb major, transposed here to F.
Recorder & Keyboard part, 9+2 pp. -
Peacherine Rag
Originally for piano solo in Eb major, transposed here to F.
Recorder & Keyboard part, 5 pp. -
testing piece
testing
Recorder & Keyboard part, 432pp -
Ferrabosco II at original pitch, for Ten./Sop. Recorder & keyboard
Recorder & Keyboard part, 4+1 pp. -
Allemande from Suite No. 4, BWV 1010
Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.
Recorder & Keyboard part, 2+1 pp. -
4. Sarabande
Originally in a minor, transposed here to d. Includes an introductory commentary.
Recorder & Keyboard part, 2+1 pp. -
Italian Concerto, BWV 971, 3rd Mvmt.
Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.
Recorder & Keyboard part, 8+2 pp. -
1st mvmt.
Originally in C major, transposed here to F.
Recorder & Keyboard part, 7+2 pp. -
Gnossienne No. 3
Written in 1890 for piano solo. At original pitch here.
Recorder & Keyboard part, 2+1 pp. -
Prélude and Fugue No. 8 BWV 853
Recorder & Keyboard part, 6+2 pp.