Recorder & Keyboard part

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  • Ferrabosco II, transposed for Alto Recorder & keyboard

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • Pastorale from “Christmas” Concerto

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • 4. Sarabande

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Italian Concerto, BWV 971, 3rd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder & Keyboard part, 8+2 pp.
    $2.00
  • Fugue No. 4, BWV 873/2

    Recorder & Keyboard part, 5+1 pp.
    $0.50
  • Aria “Ich halte meinen Jesum feste” from Cantata  157

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • Complete Suite No. 3 BWV 1009 transposed to F major

    Recorder & Keyboard part, 15+8 pp.
    $2.00
  • 3-part Invention No. 12, BWV 798

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • 1st mvt.

    Recorder & Keyboard part, 1 p.
    $0.50
  • testing piece

    testing

    Recorder & Keyboard part, 432pp
    $0.65
  • 1st Mvmt.

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 8+2 pp.
    $0.50
  • Prélude and Fugue No. 3 BWV 872

    Recorder & Keyboard part, 4+2 pp.
    $0.50
  • 2nd Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder & Keyboard part, 7+2 pp.
    $0.50
  • Gigue

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Minuet K. 355 & Gigue K. 574

    Recorder & Keyboard part, 6 pp.
    $0.50
  • *Trois Morceaux en forme de poire*: II (Enleve-De moitie)

    Recorder & Keyboard part, 4+1 pp.
    $0.50
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