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Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.Recorder & Keyboard part, 9+2 pp.
Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).Recorder & Keyboard part, 9+2 pp.
Originally in c minor, transposed here to g. Revised Dec. 12, 2016.Recorder & Keyboard part, 9+2 pp.
Aria, “Woferne du den edlen Frieden,” from Cantata 41Recorder & Keyboard part, 9+2 pp.
Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.Recorder & Keyboard part, 9+2 pp.
Fugue on the Name BACH Op. 60 No. 2
Originally for Pedal Piano in Bb major, transposed here to F.Recorder & Keyboard part, 9+2 pp.
1st Mvmt.Recorder & Keyboard part, 4+2 pp.