6+2 pp.
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Showing 1–16 of 31 results
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1st mvmt.
Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?
Recorder & Keyboard part, 6+2 pp. -
Prélude and Fugue No. 8 BWV 853
Recorder & Keyboard part, 6+2 pp. -
Sinfonia from *Acis and Galatea*
Recorder & Keyboard part, 6+2 pp. -
Aria, “Ich bin vergnügt in meinem Leiden,” from Cantata 58
Recorder & Keyboard part, 6+2 pp. -
Chorus “Ach Gott wie manches Herzeleid” from Cantata 3
Recorder & Keyboard part, 6+2 pp. -
3rd mvmt.
Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.
Recorder & Keyboard part, 6+2 pp. -
Augmentation Canon in Contrary Motion
Originally in d minor, transposed here to g.
Recorder & Keyboard part, 6+2 pp. -
Aria, “Domine Deus” from Missa Brevis, BWV 234 for alto recorder doubling soprano or tenor
Recorder & Keyboard part, 6+2 pp. -
Both 2. Allemande and 3. Corrente
Originally in a minor, transposed here to d. Includes an introductory commentary.
Recorder & Keyboard part, 6+2 pp. -
Sinfonia from Partita No. 2, BWV 826
Recorder & Keyboard part, 6+2 pp. -
String Quartet Op. 33 No. 2 “Joke” Finale
Recorder & Keyboard part, 6+2 pp. -
Duet, “Zweig’ und Aeste zollen dir,” from Cantata 205
Recorder & Keyboard part, 6+2 pp. -
3rd mvmt.
Originally in C major, transposed here to F.
Recorder & Keyboard part, 6+2 pp. -
Fugue from Suite for Harpsichord HWV 429
First movement in the suite. Originally in e minor, transposed here to a.
Recorder & Keyboard part, 6+2 pp. -
Aria “Ich traue seiner Gnaden” from Cantata 97
Recorder & Keyboard part, 6+2 pp. -
Aria, “Gott, bei deinem starken Schützen,” from Cantata 14
Recorder & Keyboard part, 6+2 pp.