5 pp.

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Showing 1–16 of 51 results

  • Bach Tempo di Borea & Double from Partita No. 1 BWV 1002

    5 pp.
    $1.00
  • 1st Movement

    Recorder part, 5 pp.
    $0.50
  • K. 219 Turkish episode for C instrument

    5 pp.
    $0.50
  • Solace a Mexican Serenade

    In original key of C major.

    Recorder & Keyboard part, 5 pp.
    $0.50
  • Test name

    5 pp.
    $1.00
  • Recorder parts for all 3 Mvmts

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    5 pp.
    $1.00
  • K. 219 Turkish episode for alto

    5 pp.
    $0.50
  • Version in G major

    5 pp.
    $0.50
  • Test%$#

    5 pp.
    $1.00
  • Duet No. 2 for Violas, F. 61

    5 pp.
    $0.50
  • Mahler3.2RecPt

    5 pp.
    $0.50
  • Peacherine Rag

    Originally for piano solo in Eb major, transposed here to F.

    Recorder & Keyboard part, 5 pp.
    $0.50
  • Contrapunctus 13, Rectus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.

    Recorder & Keyboard part, 5 pp.
    $2.00
  • Sonata da Chiesa, K. 225

    5 pp.
    $0.50
  • Recorder parts for all 3 Mvmts.

    Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?

    5 pp.
    $1.00
  • Scarlatti547InBmajor

    5 pp.
    $0.50
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