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  • All Six Choruses from the Magnificat

    46 pp.
    $5.00
  • Set of 24 Duets from Mediæval to Mahler, primarily for soprano & alto recorders

    Actually comprising 44 duets, but considered as 24 items or groupings. All are for Soprano and Alto, with the following exceptions: #8 is for Alto and Tenor, #16 has both players playing Soprano doubling Alto and Tenor, and #24 is for two Altos.
    1. Four Medi?val Pieces: Winter’s Return (Anonymous),Tanz (Anonymous), Como Poden Per Sas Culpas and A Virgen Mui Groriosa (Cantigas da Santa Maria, 13th century).
    2. Three Renaissance Dances: La Franchoise Nouvele, three versions (Anonymous), Nobody’s Jig (Anonymous), La Bour?e (from “Terpsichore”, published 1612 by Michael Praetorius (1571-1621).
    3. Schiarazula Marazzula, published in the 16th century by Pierre Phal?se (1510-1573).
    4. Two Elizabethan Songs: It was a Lover and his Lass by Thomas Morley (1557-1602), and Fine Knacks for Ladies by John Dowland (1563-1626).
    5. Two Dances from Terpsichore: Gaillarde and Volte.
    6. Four English Country Dances: Never Love Thee More, Hunsdon House, The Black Nag, and The Waters of Holland.
    7. Four More English Country Dances: Orleans Baffled, Shrewsbury Lasses, The Dressed Ship, and Miss Dolond’s Delight (or, The Bishop).
    8. Yet More English Country Dances: Wallom Green, Michaelmas Eve, The Knot, and New Year’s Eve?for Alto and Tenor.
    9. Pastorale from the “Christmas” Concerto, Op 6, No.8, by Arcangelo Corelli (1653-1713).
    10. Three Dances, by Henry Purcell (c. 1659-1695).
    11. Three Pieces from the attributed keyboard works of G. F. Handel (1685-1759).
    12. Polonaise from Concerto Grosso Op. 6, No. 3, by G. F. Handel.
    13. ?Schafe k?nnen sicher weiden (Sheep May Safely Graze)” from Cantata 208, by J. S. Bach (1685-1750).
    14. Minuet II from Suite BWV 819, by J. S. Bach.
    15. Bour?e II from English Suite No. 2, by J. S. Bach.
    16. Fantasie for Organ, BWV 572, 1st section, by J. S. Bach. Two versions, both of which require both players to switch to Alto and then to Tenor. Sopranino is an option for Player 2.
    17. Menuetto and Trio from Symphony No. 92 “Oxford”, by F. J. Haydn (1732-1809).
    18. Menuetto and Trio from Symphony No. 41 “Jupiter”, by W. A. Mozart (1756-1791).
    19. Papageno’s Aria, ?Der Vogelf?nger bin ich ja”
    from The Magic Flute, by W. A. Mozart.
    20. Sonata for Piano D. 664, 1st Movement (abridged) by F. P. Schubert (1797-1828).
    21. “Love Theme” from Romeo and Juliet, by P. I. Tchaikovsky (1840-1893).
    22. Tales from the Vienna Woods, by J. Strauss, Jr. (1825-1899).
    23. ?Um schlimme Kinder artig zu machen? (To make bad children good) from Lieder aus der Jugendzeit, by G. Mahler (1860-1911).
    24. ?Aus! Aus!? (Over!, Over!) from Lieder aus der Jugendzeit, by G. Mahler?for two Altos.

    46 pp.
    $10.00
  • Set of 24 Duets from MediƦval to Mahler, primarily for Soprano and Alto Recorders

    24 duet groups actually comprising 44 movements. All of them are for soprano and alto except no. 8 “Yet more English Country Dances”, which are for Alto and Tenor, no. 16. Fantasie for Organ, BWV 572 (1st Section), which has both players switching between soprano, alto, and tenor, and no. 24. “Aus! Aus!”, which is for two altos.
    1. Four Medi?val Pieces: Winter’s Return, Tanz, Como Poden per sas Culpas, and A Virgen mui Groriosas. 2. Three Renaissance Dances: La Franchoise Nouvele (three versions), Nobody’s Jig, and La Bour?e. 3. Schiarazula Marazzula. 4. Two Elizabethan Songs: It was a Lover and his Lass, and Fine Knacks for Ladies. 5. Two Dances from Terpsichore”: Gaillarde and Volte. 6. Four English Country Dances: Never Love Thee More, Hunsdon House, Black Nag, and The Waters of Holland. 7. Four More English Country Dances: Orleans Baffled, Shrewsbury Lasses, The Dressed Ship. and Miss Dolond’s Delight. 8. Yet More English Country Dances: Wallom Green, Michaelmas Eve, The Knot, and New Year’s Eve, all for alto and tenor. 9. Pastorale from the “Christmas” Concerto by A. Corelli. 10. Three Dances from the keyboard music of H. Purcell: Minuet, Jig, and Lilliburlero. 11. Three Pieces from the keyboard music of G. F. Handel: Invention, Air, and Passepied. 12. Polonaise from Concerto Grosso Op. 6, No. 3 by Handel. 13. “Sheep May Safely Graze” from Cantata 208 by J. S. Bach. 14. Minuet II from Suite BWV 819 (originally in Eb minor) by J. S. Bach. 15. Bourr?e II from English Suite BWV 807. 16. Fantasie for Organ BWV 572, 1st Section (two versions) both players doubling soprano, alto and tenor. 17. Menuetto and Trio from Symphony No. 92 “Oxford” by F. J. Haydn. 18. Menuetto and Trio from Symphony No. 41 “Jupiter” by W. A. Mozart. 19. “Der Vogelf?nger bin ich ja” from The Magic Flute by W. A. Mozart. 20. 1st movement, abridged, from Sonata for Piano D. 664 by F. P. Schubert. 21. “Love theme” from Romeo and Juliet by P. I. Tchaikovsky. 22. Tales from the Vienna Woods by J. Strauss, Jr. 23. “Um schlimme Kinder artig zu machen” from Lieder aus der Jugenzeit by G. Mahler. 24. “Aus! Aus!” from Lieder aus der Jugenzeit by G. Mahler for two altos.
    24 duet groups actually comprising 44 movements. All of them are for soprano and alto except no. 8 “Yet more English Country Dances”, which are for Alto and Tenor, no. 16. Fantasie for Organ, BWV 572 (1st Section), which has both players switching between soprano, alto, and tenor, and no. 24. “Aus! Aus!”, which is for two altos.
    1. Four Medi?val Pieces: Winter’s Return, Tanz, Como Poden per sas Culpas, and A Virgen mui Groriosas. 2. Three Renaissance Dances: La Franchoise Nouvele (three versions), Nobody’s Jig, and La Bour?e. 3. Schiarazula Marazzula. 4. Two Elizabethan Songs: It was a Lover and his Lass, and Fine Knacks for Ladies. 5. Two Dances from
    Terpsichore”: Gaillarde and Volte. 6. Four English Country Dances: Never Love Thee More, Hunsdon House, Black Nag, and The Waters of Holland. 7. Four More English Country Dances: Orleans Baffled, Shrewsbury Lasses, The Dressed Ship. and MissDolond’s Delight. 8. Yet More English Country Dances: Wallom Green, Michaelmas Eve, The Knot, and New Year’s Eve, all for alto and tenor. 9. Pastorale from the “Christmas” Concerto by A. Corelli. 10. Three Dances from the keyboard music of H. Purcell: Minuet, Jig, and Lilliburlero. 11. Three Pieces from the keyboard music of G. F. Handel: Invention, Air, and Passepied. 12. Polonaise from Concerto Grosso Op. 6, No. 3 by Handel. 13. “Sheep May Safely Graze” from Cantata 208 by J. S. Bach. 14. Minuet II from Suite BWV 819 (originally in Eb minor) by J. S. Bach. 15. Bourr?e II from English Suite BWV 807. 16. Fantasie for Organ BWV 572, 1st Section (two versions) both players doubling soprano, alto and tenor. 17. Menuetto and Trio from Symphony No. 92 “Oxford” by F. J. Haydn. 18. Menuetto and Trio from Symphony No. 41 “Jupiter” by W. A. Mozart. 19. “Der Vogelf?nger bin ich ja” from *The Magic Flute by W. A. Mozart. 20. 1st movement, abridged, from Sonata for Piano D. 664 by F. P. Schubert. 21. “Love theme” from Romeo and Juliet by P. I. Tchaikovsky. 22. Tales from the Vienna Woods by J. Strauss, Jr. 23. “Um schlimme Kinder artig zu machen” from Lieder aus der Jugenzeit by G. Mahler. 24. “Aus! Aus!” from Lieder aus der Jugenzeit* by G. Mahler for two altos.

    46 pp.
    $10.00
  • Set of 24 Duets from Mediæval to Mahler, primarily for soprano & alto recorders

    Duet, 46 pp.
    $3.00
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