4+2 pp.
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2nd Mvmt.
Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.
Recorder & Keyboard part, 4+2 pp. -
Prélude and Fugue No. 13 BWV 858
4+2 pp. -
Aria “Wo wird in diesem Jammerthale” from Cantata 114
4+2 pp. -
Pr´lude No. 18, BWV 887/1
Recorder & Keyboard part, 4+2 pp. -
Prélude and Fugue No. 2, BWV 871
4+2 pp. -
Capriccio from Partita No. 2, BWV 826
Recorder & Keyboard part, 4+2 pp. -
Gavotte en Rondeau from Partita No. 3 BWV 1006
Recorder & Keyboard part, 4+2 pp. -
Sonata K. 531, L. 430, P. 535 In Bb
4+2 pp. -
Aria “Dein Wachsthum sei feste” from Cantata 212
Recorder & Keyboard part, 4+2 pp. -
Excerpts from Symphony No. 4 2nd Mvmt. arr. for tenor recorder with shift to soprano
In original key of F major (followed by D, and then C), consisting of three excerpts stitched together into a playable entity. This music was featured in a video about the cellist-conductor Heinrich Schiff, in which Schiff is shown on an idyllic Austrian lake, and it is no stretch to think of this as idyllic Austrian-lake music.
4+2 pp. -
Prélude and Fugue No. 3 BWV 872
Recorder & Keyboard part, 4+2 pp. -
“Scherzo” from Fantaisie for pf. 4-hands, D. 940
The Allegro vivace section, m. 164 ff., transposed down a major 3rd.
Recorder & Keyboard part, 4+2 pp. -
Fugue
Originally in C# major, transposed here to F.
Recorder & Keyboard part, 4+2 pp. -
Aria, “Merkt und hört ihr Menschenkinder,” from Cantata 7
Recorder & Keyboard part, 4+2 pp. -
1. Fantasia
Originally in a minor, transposed here to d. Includes an introductory commentary.
Recorder & Keyboard part, 4+2 pp. -
Aria “Gibt mir meinen Jesu wieder” from the *St. Matthew Passion* BWV 244
Recorder & Keyboard part, 4+2 pp.