3+1 pp.

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Showing 1–16 of 28 results

  • 3-part Invention No. 12, BWV 798

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • 3-part Invention No. 15, BWV 801

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Bach Prélude and Fugue BWV 556

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Bach Prélude and Fugue BWV 553 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Bach Prélude and Fugue BWV 558

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Bach Prélude and Fugue BWV 558 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Excerpt from Piano Sonata, D. 958, 4th mvmt., version for alto recorder

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Sonata da Chiesa K. 144

    Originally for organ, two violins and bass in D major, transposed here to F. Revised Jan. 16, 2017.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Prelude

    Originally in e minor, transposed here to a.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Lento assai from String Quartet No. 16, Op. 135, for bass recorder, doubling alto, and keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Sonata da Chiesa K. 68

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Fugue

    Originally in e minor, transposed here to a.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Gavotte I & II from Suite No. 5, BWV 1011, version based primarily on Bach’s arrangement for lute

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • 2nd mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Version based primarily on Bach’s arrangement for lute

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Double

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
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