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  • 2nd Mvmt.

    Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.

    Recorder part, 2 pp.
    $0.50

  • Aria

    Fourth number in the cantata. Originally in e minor, transposed here to g, written for alto, flute, and basso continuo. Title means, “Deluded world!”

    Recorder part, 2 pp.
    $0.50

  • Aria,

    Fifth number in this oratorio. Originally for soprano, flute/violin, bassoon and continuo, in b minor transposed here to d. Title means, “O my soul, your spices should no more be myrrh”.

    Recorder part, 2 pp.
    $0.50

  • 2nd Mvmt., Largo

    Originally in Eb major, transposed here to F.

    2 pp.
    $0.50

  • Version for soprano & tenor recorders

    Duet, 2 pp.
    $0.50

  • Fugue No. 2 from Book I, arr. for SAB recorders

    2 pp.
    $0.50

  • 1st Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 2 pp.
    $0.50

  • 2nd mvmt.

    Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?

    Recorder part, 2 pp.
    $0.50

  • 1st mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 2 pp.
    $0.50

  • 3rd Mvmt., Presto

    Originally in F major, transposed here to Bb.

    2 pp.
    $0.50

  • Schubert D. 894.3 Duet

    2 pp.
    $0.50

  • test

    2 pp.
    $1.00

  • Sinfonia from *Acis and Galatea*

    Originally for orchestra of 2 oboes, 1st & 2nd violins and continuo, transposed here from Bb major to F. Full cadence tacked on to make a full close in the tonic (which is lacking in the original).

    Recorder part, 2 pp.
    $0.50

  • Canon at the Octave

    Originally in d minor, transposed here to g. Contains a fermata 4 bars before the end. A FREE item from this website is due anybody who can correctly identify the meaning of this fermata. By the way, the page turns for the kbd. player on this piece have been created better than one can believe (i. e. VERY easy for the player)!

    Recorder part, 2 pp.
    $0.50

  • Two “al rovescio” duets

    2 pp.
    $0.50

  • Capriccio from Partita No. 2 BWV 826

    Originally in c minor, transposed here to g. Contains an alternative ending which keeps the original register of a passage which lies very high on the instrument. The main body of the arrangement contains a lower?and easier?version of the passage. There is also an optional high A elsewhere in the piece.

    Recorder part, 2 pp.
    $0.50
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