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  • Bourrée I & II—c minor version

    Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.

    Recorder part, 1 pp.
    $0.50
  • 2nd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder part, 1 pp.
    $0.50
  • Gnossienne No. 2

    Written in 1890 for piano solo. At original pitch here.

    Recorder part, 1 pp.
    $0.50
  • 3rd Mvmt.

    Originally in Eb major, transposed here to G.

    Recorder part, 1 pp.
    $0.50
  • Both 5. Burlesca and 6. Scherzo

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder part, 1 pp.
    $0.50
  • Opening

    Originally in e minor, transposed here to g.

    Recorder part, 1 pp.
    $0.50
  • Duet for soprano and tenor recorders

    1 pp.
    $0.50
  • CmCelloSarabandeRecPt

    1 pp.
    $0.50
  • “Pastorale” from the “Christmas” Concerto, Op. 6, No. 8

    Recorder part, 1 pp.
    $0.50
  • 2nd mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder part, 1 pp.
    $0.50
  • Fugue No. 4

    Originally in c# minor, transposed here to a. NB: The five pages of the keyboard part are arranged so that the page-turns should be between 1 & 2, and then 3 & 4.

    Recorder part, 1 pp.
    $0.50
  • In C

    Originally in A major, transposed here to your choice of G or C.

    1 pp.
    $0.50
  • Prelude No. 19

    Originally in A major, transposed here to C.

    Recorder part, 1 pp.
    $0.50
  • 2nd Mvmt.

    Originally in f minor, transposed here to a. Thought to have been based on a lost violin concerto. Recorder plays main theme in tutti sections. Includes optional cadenza in 3rd mvmt. Optional low “E” in 1st mvmt. Included are optional recorder parts for voice flute switching to alto in both the 1st and 3rd mvmts. Minor revisions 12.8.14.

    Recorder part, 1 pp.
    $0.50
  • Gigue—c minor version

    Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.

    Recorder part, 1 pp.
    $0.50
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